Showing posts with label playing live advice. Show all posts
Showing posts with label playing live advice. Show all posts

Wednesday, 15 June 2011

Stage Craft Secrets


Stage Craft Secrets

You have the tunes, you have the gig now comes the difficult task of marrying the 2 together so your show becomes an “Event”. Something that is talked about for days, weeks or years to come and a display that lives long in the memory of those in attendance. How do you achieve such a feat? Stage craft! And here are our top tips:

KNOW THE MUSI C INSIDE OUT

The first essential is to make sure you’re absolutely on top of the

music. This is the physical or technical side of self-confidence. You

have to free yourself from worrying about whether you play the

right notes or sing the right words. This means rehearsing to the point where

you can almost play without thinking about what you’re doing. Here are a

couple of pointers to help you.

PRACTICE AS IF YOU’RE PLAYING LIVE -

To get ultra comfortable with your material rehearse as if you’re gigging.

This means sticking to the set list in terms of which songs and the order you

rehearse them. You can work out song starts (who does what), where there are

potential problem areas (down-tunings, guitar switches etc).

Playing the set-list when you’re practising is the same as a “dress rehearsal”

and will itself help ease any stress on gig-night. When it comes to the gig

you’ll have been through the same songs in the same order in rehearsal

countless times before. This will increase your confidence and technical mastery

just like playing gig after gig.

HANDICAP YOUR REHEARSALS

You can make performing feel much easier on gig night and so increase your

confidence by “handicapping” yourselves at rehearsals. Rehearse without

letting your singer check out his lyric sheets or guitarists stare at fret boards.

This will also help keep your focus where it needs to be when the time comes

to play live: Out towards your audience!

Drummers and guitarists can also handicap themselves with weights on their

wrists. You don’t want to overdo it and risk injury of course, so you can for

example, use a heavy watch and/or wristbands when you rehearse. You then

leave your wrists bare and so lighter and easier to play with whenever you gig.

RELAX ONSTAGE

Onstage you’ll perform and relate to your audiences better

if you’re feeling relaxed. Crowds can often tell when a

performer is uptight or anxious and it can make them

uncomfortable too. Concentrate on your breathing pattern as this is a key to your feelings of either

tension or relaxation. Once you’re aware of your breathing, just deepen it and

slow it down. This will naturally dissolve feelings of tension and replace them

with calmness. You have to keep on top of it as you’re learning and gaining

performance confidence. Repeat it over and over. Eventually, like most habits

you develop, you’ll find it’s become second nature.

However, all of the advice in the world can’t beat experience. So accept every gig offered and learn by experience.

Thursday, 19 May 2011

Playing Bass Live



Playing Bass Live Advice

Live bass sound can be the most difficult to mix and the hardest to make a sound technician care about. When done properly, a bass guitar blends right in with the rest of the band, truly layering music in a complementary fashion, allowing each player to voice his instrument with skill. Done improperly, bass guitar volume can cause drums to rattle out of control, create uncontrollable feedback and create a rattling, swelling sound that drowns out the rest of band.



Proper Choice of Bass
An instrument with active pickups, multiple effects pedals and MIDI technology may sound like a choir when playing alone in a practice room, but it generally falls flat when it comes to blending with a band. Selecting the proper quality bass is a critical element to achieving the best possible live bass sound. According to David King in Global Bass Magazine, the bass should have a clear, flat tone with few enhancements.



Make Friends With the Sound Guy
Each venue will more than likely have one employee (or volunteer) working the sound board. Ask him about the acoustics of the venue, how instruments respond and whether it's better to plug the bass into the venue's PA or to go straight from the amplifier. The sound technician may just respond to the musician's interest and friendly demeanor by taking extra care in mixing the sound of his instrument.




Volume Levels
Maintain a low volume when piped through the house's main speakers. This will allow the intonation of the bass to ring properly while reducing the fuzz and rattle that sometimes occur when the instrument's volume is set too high. Again, this strategy is geared toward blending into the sound of a full band so that guitars are able to shine through with treble and middle tones and the bass is able to thicken the whole notes of a given tune without rattling the hinges off of the venue.